You know the verbal section will force you to answer questions about tedious passages, strengthen dubious arguments and correct unclear sentences.
The ability to juggle these three elements will be paramount to your success as the question types are interspersed throughout the 75 minute verbal section. You cannot break down the exam into 25-minute sections each based on one broad topic and then move on. You don’t know what type of question is coming next, so you have to constantly be ready for any of the three major topics.
Similarly, when answering a Sentence Correction question, there are many types of errors that can appear in a single sentence. Some questions will be one-trick ponies, in which you can just solve one issue and get the correct answer. However, most will have two or three types of errors that you need to avoid, and identifying these errors will often make the difference between knowing which answers cannot be correct and guessing based on how the sentence sounds.
When looking through the initial sentence, you might notice some errors right away, such as pronoun (she vs. they) or verb agreement (is vs. are) errors. However some errors are more subtle and you must look through the answer choices to confidently narrow down the options. Once you have a good handle on the types of errors occurring in the sentence, you can begin eliminating answer choices that do not dodge the error.
Let’s look at a question that contains multiple issues, but they may not be obvious upon first glance:
An auteur whose movies define the genre, Jean-Luc Godard’s films are to the French New Wave what Sergio Leone’s The Good, The Bad and The Ugly is to the spaghetti western.
(A) Jean-Luc Godard’s films are to the French New Wave what
(B) Jean-Luc Godard’s films are to the French New Wave like
(C) Jean-Luc Godard’s films are to the French New Wave just as
(D) Jean-Luc Godard directed films that are to the French New Wave similar to
(E) Jean-Luc Godard directed films that are to the French New Wave what
The sentence begins with a modifier that is not underlined, which means the subsequent underlined portion must necessarily be the subject of the modifier. If it is not, then the sentence will contain a modifier error from the get go and will not be the correct choice. A little further on, a comparison is made between films and other films. If the comparison were to be between two incongruent items (worse than apples and oranges, say apples and androids), the sentence would contain a comparison error. There may be other errors but these are the two most glaring issues to keep in mind.
Looking over the answer choices, we see a 3-2 split between the choices that keep the director’s films as the subject of the verb and the choices that change the subject to the director himself. From a comparison point of view, all the choices seem to keep the comparison between Godard’s films and Leone’s cult masterpiece.
The non-underlined first part of the passage is a modifier that is describing a specific person. The sentence even begins with “An auteur”, which is the French word for author. The subject of the sentence must therefore be a noun that can logically be described by the modifier at the beginning of the sentence. However, the restriction of the comparison also dictates that the sentence compare films with films. The only way to accommodate both limitations is to select either answer choice D or E, both of which keep Jean-Luc Godard as the subject of the phrase while supplying the proper film comparison at the end.
How do we go about differentiating between answer choices D and E?
The difference is in the idiom that connects the underlined portion to the second part of the sentence. The first option indicates that the films are to a certain group similar to another movie to a different group. Apart from not being a correct idiom, it also doesn’t make logical sense. The second option indicates that the films are to a certain group what another film is to the different group. This is a perfectly acceptable idiom that conveys the meaning properly.
The only answer choice that avoids making a modifier error, a comparison error or a logical error is answer choice E. These errors may not have all been evident at first glance, but we can see why the four other answer choices contain some kind of error. Even though the comparison error ended up being largely irrelevant in this process of elimination, it is the type of error you always need to be aware of when correcting sentences. In fact, juggling many potential error types is a vital skill in solving these types of questions. While not always obvious, the correct answer will be the only option that doesn’t make at least one of the errors you’ve identified.
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